{"id":21363,"date":"2024-10-30T11:55:13","date_gmt":"2024-10-30T11:55:13","guid":{"rendered":"https:\/\/gigionestrumentimusicali.it\/index.php\/product\/akg-drum-set-session-1-kit-di-microfoni-per-batteria-con-valigetta\/"},"modified":"2026-04-04T22:48:29","modified_gmt":"2026-04-04T22:48:29","slug":"akg-drum-set-session-1-kit-di-microfoni-per-batteria-con-valigetta","status":"publish","type":"product","link":"https:\/\/gigionestrumentimusicali.it\/index.php\/product\/akg-drum-set-session-1-kit-di-microfoni-per-batteria-con-valigetta\/","title":{"rendered":"AKG DRUM SET SESSION 1 KIT DI MICROFONI PER BATTERIA CON VALIGETTA"},"content":{"rendered":"<p>  The Audix DP-7 drum mic kit is perfect for live, loud situations but you&#8217;ll need  a decent PA rig for best results<\/p>\n<p>  <span><a href=\"http:\/\/www.musicradar.com\/author\/\" class=\"author\" style=\"text-decoration: none\"><span style=\"padding-right: 0.5em\">MusicRadar  Team<\/span><\/a><\/span>March 03, 2008, 12:38 UTC<\/p>\n<p>  <strong style=\"font-weight: bold\">Audix has been in the microphone business for  over 20 years and is based in Oregon, USA. The majority of Audix\u2019s microphones  are made in-house, which is where the DP-7 drum mic kit on review began life. The  kit also boasts the distinction of being judged the best drum microphone product  at the Musikmesse International Press Awards at the 2007 Frankfurt Music Fair.<\/strong><\/p>\n<p>  <strong style=\"font-weight: bold\">Build<\/strong><\/p>\n<p>  The DP-7 kit consists of seven microphones \u2013 five dynamic models tailored  to capture the frequency ranges of snare, toms, floor toms and bass drum, and a  pair of condenser mics for overhead and hi-hat duties. The mics are supplied in  a custom-fit flight case, which also houses four D-Vice clip-on mic holders that  clamp to the rim of a drum. The dynamic mics have been primarily designed for live  use and are sturdily constructed to withstand the rigours of touring.<\/p>\n<p>  Catering for the bass drum is Audix\u2019s D6 mic, a proven low-end mic that is  equally at home in front of a bass cab as it is a bass drum. Cardioid in pattern,  its frequency response ranges from 30Hz to 15KHz. Its casing is machined from solid  aluminium and is finished in an anodised black coating.<\/p>\n<p>  Audix\u2019s new i5 mic replaces the old D1 snare mic in the kit. The new mic is  smaller than the D1, making it easier to position over the snare. It still wouldn\u2019t  qualify as being compact though, as it is only marginally smaller than a typical  handheld vocal mic. Again cardioid in pattern, it is tuned to capture frequencies  between 50Hz and 16KHz. The casing is made from cast zinc alloy and the mic can  withstand sound pressure in excess of 140 decibels (for instance, a snare drum being  rim-shotted by a 2B stick at point blank range).<\/p>\n<p>  Two D2 mics are supplied for the toms. They are small and stubby in comparison to  the i-5 mic, and as such are a less obtrusive proposition to the player. Like the  D6, the casing is milled from a single block of aluminium while a steel grill protects  the business end. Hypercardioid in pattern (so with a narrower capture area), the  frequency response is 44Hz to 18KHz.<\/p>\n<p>  The single D4 floor tom mic is physically very similar to the D2, being virtually  identical in proportions. Also hypercardioid in pattern, its frequency response  reaches a little lower than that of the D2, being 40Hz to 18KHz.<\/p>\n<p>  Two ADX-51 cardioid condenser mics are supplied for conveying the cymbal sounds.  While being engineered differently from, and being a good deal more sensitive than,  the dynamic models, the ADX-51s are still constructed to the same high standard.  Being condenser mics, they require Phantom Power from the mixing desk to operate,  and their frequency response ranges from 40Hz to 18KHz, to 150Hz to 18KHz with the  low cut filter engaged.<\/p>\n<p>  <strong style=\"font-weight: bold\">Hands On<\/strong><\/p>\n<p>  We tested the mics at a small venue with a full PA rig. The D6 performed at its  strongest when giving the pedal really positive kicks \u2013 anything too subtle  lacked attack. Due to the size of the venue and the volume of the snare, the i-5  mic was barely dialled in at the mixing desk. What it did reproduce suggests that  it would have little trouble in placing the snare in a full-on mix in a big venue.<\/p>\n<p>  The D2s and D4 were at pretty much normal levels in the mix and gave strong performances.  Experimenting with placing them above and below the toms brought interesting variations  in the amount of resonance and presence the drums conveyed. Above the cymbals the  two condensers gave typically crisp yet warm responses, letting the cymbals cut  while still delivering body and tonality.<\/p>\n<p>  \u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KIT DI MICROFONI PER BATTERIA<\/p>\n<p>Il Drum Set Session I &egrave; un set di microfoni per batteria ad alte prestazioni, ed uno starter kit all-in-one ideale che offre una combinazione impressionante di performance e prezzo. Con sette microfoni e accessori in un resistente case in alluminio, fornisce tutti gli elementi essenziali per catturare un set completo di batteria. Pu&ograve; anche essere usato per microfonare percussioni, amplificatori per basso e chitarra, ottoni, legni e altri strumenti. Tutti i microfoni provengono dalla serie Perception Live e presentano un telaio in robusto metallo, una robusta griglia in acciaio, finitura antigraffio e capacit&agrave; di gestire SPL elevati.<br \/>Caratteristiche<br \/>1x P2 microfono per grancassa<br \/>2x P17 microfoni per overheads il P17 &egrave; tecnicamente identico al P170 e non &egrave; disponibile come singola unit&agrave;)<br \/>4x P4 microfoni per tom e rullante<br \/>1x H440 piastra adattatore<br \/>1x adattatore per asta<br \/>1x Case in alluminio<\/p>\n","protected":false},"featured_media":21360,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[621],"product_tag":[709],"class_list":{"0":"post-21363","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-microfoni-per-batteria","7":"product_tag-audix","8":"desktop-align-left","9":"tablet-align-left","10":"mobile-align-left","12":"first","13":"instock","14":"taxable","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/product\/21363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/media\/21360"}],"wp:attachment":[{"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/media?parent=21363"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/product_brand?post=21363"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/product_cat?post=21363"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/gigionestrumentimusicali.it\/index.php\/wp-json\/wp\/v2\/product_tag?post=21363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}