CARL MARTIN OPTO COMPRESSOR LIMITER

99.00

CARL MARTIN COMPRESSOR/LIMITER

Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.

General Guidelines on the use of the Compressor/Limiter:

Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.

Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.

Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.

Gain: Working clockwise, sets the overall gain.

Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

You can find more detailed information under manuals.

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SKU: 0401 Category: Tag:

CARL MARTIN COMPRESSOR/LIMITER

 

Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.

 

General Guidelines on the use of the Compressor/Limiter:

 

Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.

 

Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.

 

Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.

 

Gain: Working clockwise, sets the overall gain.

 

Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

 

You can find more detailed information under manuals.

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