NEUMANN U 87 AI STUDIO SET

2,890.00

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz … 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

Disponibilità: Only 1 left in stock

 

The Neumann KMS 104 SILVER Condenser Vocal Microphone, Nickel Silver. Highly regarded live vocal condenser microphone.

 

The Neumann KMS 104 SILVER is the microphone of choice for demanding live applications. The KMS 104 has a microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The high acoustic resolution and smooth frequency response of the microphone ensures that the musician has optimal control of the stage performance at all times. The studio condenser capsule used in the KMS104 provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. A carefully adjusted acoustic filter and transformerless impedance converter that can handle very high sound pressure levels, prevent the microphone from being overloaded even by strong plosive sounds. The filters thus ensure a very high level of feedback protection for the KMS 104 vocalist microphone when it is used with a stage sound system. Special electronic compensation is used for the proximity effect and there is also an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS 104 is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB-A permits the KMS104 to be used at high gain levels without the risk of additional noise. Even at large distances, it can operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the

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