NEUMANN KMS 184 STEREO SET

1,369.00

Microfono cardioide, color Nichel, con antivento WNS 100 e supporto SG 21 bk, cofanetto in legno.
La confezione comprende:
2 Microfoni KM 184 – con numero di serie consecutivo
2 Clamp SG 21 bk
2 Antivento WNS 100;
1 Cofanetto in legno
Technical Data KM 183 / KM 184 / KM 185
Acoustical operating principle Pressure/Pressure gradient transducer Directional pattern omnidirectional/cardioid/hypercardioid Frequency range 20 Hz…20 kHz Sensitivity at 1 kHz into 1 kohm 12/15/10 mV/Pa Rated impedance 50 ohms Rated load impedance 1000 ohms Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 70/72/70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 81/81/79 dB Equivalent noise level, CCIR1) 24/22/24 dB
Equivalent noise level, A-weighted1) 13/13/15 dB-A Maximum SPL for THD 0.5%2) 140/138/142 dB Maximum output voltage 10 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938)3.2 mA Matching connector XLR3F Weight approx. 80 g
Diameter22 mm Length 107 mm

Disponibilità: Solo 1 pezzi disponibili

Pagamento sicuro garantito

 

The Neumann KMS 104 SILVER Condenser Vocal Microphone, Nickel Silver. Highly regarded live vocal condenser microphone.

 

The Neumann KMS 104 SILVER is the microphone of choice for demanding live applications. The KMS 104 has a microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The high acoustic resolution and smooth frequency response of the microphone ensures that the musician has optimal control of the stage performance at all times. The studio condenser capsule used in the KMS104 provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. A carefully adjusted acoustic filter and transformerless impedance converter that can handle very high sound pressure levels, prevent the microphone from being overloaded even by strong plosive sounds. The filters thus ensure a very high level of feedback protection for the KMS 104 vocalist microphone when it is used with a stage sound system. Special electronic compensation is used for the proximity effect and there is also an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS 104 is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB-A permits the KMS104 to be used at high gain levels without the risk of additional noise. Even at large distances, it can operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the

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