NEUMANN MIC KMS104 CONDENSER

598.00

MICROFONO A CONDENSATORE CARDIOIDE GRIGIO

Microfono ottimizzato per l’utilizzo sul palco, è dotato di una eccezionale dinamica di 132 dB con un livello di pressione sonora massimo di 150dB. Rumore interno ridottissimo per la ripresa della voce nei minimi dettagli. Calore, presenza, insensibilità ai rumori acustici e compensazione dell’effetto di prossimità. Smorzamento dei rumori da maneggiamento e griglia antipop a 4 strati.
Specifiche tecniche
Trasduttore: Gradiente di pressione
Direttività: Cardioide
Circuito di uscita: Senza trasformatore
Risposta in Frequenza: 20Hz – 20kHz
Sensibilità: 4,5 mV/Pa
Rumore: 18 dBA, 28 dB CCIR
Rapporto segnale/rumore: 76 dBA, 66 dB CCIR
Massima pressione sonora: 150 dB con Dtot<0,5%
Impedenza nominale: 50 Ohm
Impedenza nominale di carico: 1000 Ohm
Tensione di uscita massima: 12 dBu
Tensione di alimentazione: 48V ± 4V
Assorbimento: 3,5mA
Connettore: XLR 3-Pin
Accessori inclusi: Borsa in nylon, supporto per asta microfonica
Dimensioni: 48 mm x 180 mm
Peso: 300g

Disponibilità: Solo 1 pezzi disponibili

Pagamento sicuro garantito

 

The Neumann KMS 104 SILVER Condenser Vocal Microphone, Nickel Silver. Highly regarded live vocal condenser microphone.

 

The Neumann KMS 104 SILVER is the microphone of choice for demanding live applications. The KMS 104 has a microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. The high acoustic resolution and smooth frequency response of the microphone ensures that the musician has optimal control of the stage performance at all times. The studio condenser capsule used in the KMS104 provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. A carefully adjusted acoustic filter and transformerless impedance converter that can handle very high sound pressure levels, prevent the microphone from being overloaded even by strong plosive sounds. The filters thus ensure a very high level of feedback protection for the KMS 104 vocalist microphone when it is used with a stage sound system. Special electronic compensation is used for the proximity effect and there is also an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The dynamic range of the KMS 104 is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB-A permits the KMS104 to be used at high gain levels without the risk of additional noise. Even at large distances, it can operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the

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